Every Form of Ruin: Poems (Pitt Poetry Series) (Paperback)
This book is in stock at our warehouse and will be at the Raven within 3-5 Business Days, once they've shipped it to us.
A rebuttal to Aeschylus’ Oresteia, Every Form of Ruin posits the Erinyes’ fury as righteous, understanding Clytemnestra’s rageful response to loss, and refusing Iphigenia’s relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by paying witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of mid-life; the search for one’s own self when that self has given its life to service. Every Form of Ruin counters our culture’s erasure of women and resists the categorizations of maiden, mother, crone by blurring those distinctions through the creation of voices that are moved by rage and resistance.
About the Author
Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. Born and raised in New Mexico, she now lives with her family in Kansas City, MO and works as a fiction acquisitions editor.
“If you’ve ever been crammed into a box with a word like ‘woman’ or ‘girl’ or ‘mother’ or ‘bossy’ or ‘bitch’ scribbled on the side, these poems are for you. If you’ve fought yourself exhausted and then gotten up to fight some more, this book is for you. If you love Clytemnestra’s courage and would have defended Iphigenia to the death too, if you know how Cassandra has been talked over and over or have called upon the Erinyes in your hour of need, these are the poems you’ve been waiting for. And if you don’t know any of these legends yet, but want good company in your rage, Every Form of Ruin will thrill and console and inspire.” —Kathryn Nuernberger, author of RUE and The Witch of Eye
“Cast often through fairytale and myth, Erin Adair-Hodges’s new collection audaciously examines a contemporary experience of womanhood. Every Form of Ruin is a scalpel, exposing various forms of gendered violence, the vicissitudes and joys of wifedom and motherhood (‘momming’ as the poet brilliantly neologizes), and the power of sisterhood and of claiming the self in all its multitudes. There is so much in the craft of these poems equally to admire and revel in, including Adair-Hodges’s seemingly effortlessly inventive turns of image, line, and phrase. Her tone and the voice of these poems is also a wonder, at once irreverent, funny, biting, and downright sad. While the poems square themselves against ruin, they are actually resplendent, coming to us as they do, from ‘a country in which the poet is the only citizen so, also, its queen.’” —Shara McCallum, author of Madwoman and No Ruined Stone
Praise for Let’s All Die Happy:
“Uncertainty, disappointment, and patriarchy pervade a landscape of lost dreams and unexpected realities in Adair-Hodges’s gloriously sardonic debut. . . . It’s a gritty and bewitching collection that revels in its vulnerability; Adair-Hodges incisively translates visceral emotions into tangible imagery while remaining emotionally fluid and preserving the integrity of her sorrow.” —Publishers Weekly